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Harmonic Function in Chromatic Music: A Renewed Dualist Theory and an Account of Its Precedents de Daniel Harrison
Descripción - Críticas 'This book will clearly be of great importance to music theorists and historians alike.' - Patrick McCreless, Yale University' Reseña del editor The highly chromatic music of the late 1800s and early 1900s includes some of the best-known works by Gustav Mahler, Richard Strauss, Cesar Franck, and Hugo Wolf. Yet until now, the harmonic complexity of this repertory has resisted the analytic techniques available to music theorists and historians. In this book, Daniel Harrison builds on nineteenth-century music theory to provide an original and illuminating method for analyzing chromatic music. One of Harrison's central innovations is his reconstruction of the notion of harmony. Harrison understands harmonic power to flow not from chords as such but from the constituents of chords, reckoned for the most part as scale degrees of a key. This insight proves especially useful in analyzing the unusual progressions and key relations that characterize chromatic music. Complementing the theoretical ideas is a critical history of nineteenth-century German harmonic theory in which Harrison traces the development of Hugo Riemann's ideas on dualism and harmonic function and examines aspects of Riemannian theory in the work of later theorists. Combining theoretical innovations with a sound historical understanding of those innovations, Harmonic Function in Chromatic Music will aid anyone studying this pivotal period of Western music history. Biografía del autor Daniel Harrison is the Allen Forte Professor of Music Theory at Yale University.
Detalles del Libro
- Name: Harmonic Function in Chromatic Music: A Renewed Dualist Theory and an Account of Its Precedents
- Autor: Daniel Harrison
- Categoria: Libros,Arte, cine y fotografía,Música
- Tamaño del archivo: 18 MB
- Tipos de archivo: PDF Document
- Descargada: 196 times
- Idioma: Español
- Archivos de estado: AVAILABLE
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Harmonic Function in Chromatic Music: A Renewed Dualist ~ In this ground-breaking exploration of late nineteenth-century music and music theory, Daniel Harrison illuminates the structure and idioms of highly chromatic music, long resistant to investigation. Reanimating Hugo Riemann's notion of harmonic function Harrison explores the technical bases of post-Wagnerian harmony and ideas ancillary to it.
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